Cell

Version: Unabridged
Author: Stephen King
Narrator: Campbell Scott
Genres:
Publisher: Simon & Schuster Audio
Published In: June 2016
# of Units: 12 CDs
Length: 13 hours
Ratings:
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Overview

From international bestseller Stephen King, a high-concept, ingenious and terrifying story about the mayhem unleashed when a pulse from a mysterious source transforms all cell phone users into homicidal maniacs.
There s a reason cell rhymes with hell.
On October 1, God is in His heaven, the stock market stands at 10,140, most of the planes are on time, and Clayton Riddell, an artist from Maine, is almost bouncing up Boylston Street in Boston. He s just landed a comic book deal that might finally enable him to support his family by making art instead of teaching it. He s already picked up a small (but expensive!) gift for his long-suffering wife, and he knows just what he ll get for his boy Johnny. Why not a little treat for himself? Clay s feeling good about the future.
That changes in a hurry. The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone s cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization s darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature...and then begins to evolve.
There s really no escaping this nightmare. But for Clay, an arrow points home to Maine, and as he and his fellow refugees make their harrowing journey north they begin to see crude signs confirming their direction. A promise, perhaps. Or a threat...
There are 193 million cell phones in the United States alone. Who doesn t have one? Stephen King s utterly gripping, gory, and fascinating novel doesn t just ask the question Can you hear me now? It answers it with a vengeance."

Reviews (74)

Boring

Written by Chris B on June 10th, 2017

  • Book Rating: 2/5

I am sorry to say so, but this book had all the elements I love: apocalyptic event, mysterious nemesis, rag tag group of protagonists. But it never came together. I failed to make a connection with any of the characters, even if one was lost. The climax was predictable and the resolution was almost obligatory. I love King but I didn\'t love this book. Campbell Scott, who excellently read The Shining, also sounds bored and on the verge of falling asleep or raiding the fridge.

Cell

Written by Evelyn W on May 4th, 2017

  • Book Rating: 4/5

Very engaging, and the main characters were endearing. Mr. King kept me wondering what would come next until the very last word. The narrator was great also.

Written by Leilani Maynard on May 6th, 2016

  • Book Rating: 5/5

I had already read this book and thought I'd give the audio verse a try. I really enjoyed it. I have listened to other books done by the narrator and he did a good job on this one too. A good story and narration, highly recommend.

Written by Conye Wheeler on September 20th, 2015

  • Book Rating: 5/5

I absolutely love Stephen King. I have never disliked any of his books. I also enjoyed the narrator

The Cell

Written by Anonymous on August 31st, 2015

  • Book Rating: 5/5

Another great book from Stephen King. This one kept me interested right from the start. The reader was excellent.

Cell

Written by Mary Johnson on July 29th, 2015

  • Book Rating: 5/5

Very awesome.one of my faves

good story

Written by ALadyJett from Hesperia, CA on June 1st, 2015

  • Book Rating: 4/5

I really liked this story at first it really went quickly. It tended to drag at little towards the end, but all in all it was good., I liked the odd groups of characters whom became friends outta need to combat the odd happenings. I can say it kept me interested for the most part a good story.

Good listen!

Written by Anonymous on November 9th, 2013

  • Book Rating: 5/5

I drive a great deal for work, and listen to books rather than the radio. This kept me on the edge of my carseat and many evenings, I would pull into my driveway and continue to listen because I was so enthralled. Make people who can't disconnect read or listen to this book-maybe they'll hangup and engage in the moment...

Written by Timoteo Barajas on March 2nd, 2013

  • Book Rating: 3/5

It has been a very long time since I've read a King novel, I think the last was The Tommyknockers. I stopped reading because I kind of bored with the stories, not because the story was bad but because it was so formulaic, I was reminded of this again as I listened to Cell. The underlying structure of the story reminded me of the Stand and It. I don't think we need a pulse to create zombies, just look at most folks on a cell phone and how can you not think they are already zombies. Nope, the world is scarier now then its described in the book. The narrator did a great job and I'd be willing to listen to another book with Cambell Scott.

Written by on November 19th, 2012

  • Book Rating: 5/5

This goes down as one of my all time favorite horror novels. The new twist on a "zombie-apocalypse" tale was clever and catching. The characters are easy to become attached to and the story moves along well. I was on the edge of my seat for much of the entire story and wanted my favorite characters to make it through to the end. Loved this book!

Author Details

Author Details

King, Stephen

American novelist and short-story writer, whose enormously popular books revived the interest in horror fiction from the 1970s. King's place in the modern horror fiction can be compared to that of J.R.R. Tolkien's who created the modern genre of fantasy. Like Anthony Trollope, Charles Dickens or Balzac in his La Com├ędie humaine, King has expressed the fundamental concerns of his era, and used the horror genre as his own branch of artistic expression. King has underlined, that even in the world of cynicism, despair, and cruelties, it remains possible for individuals to find love and discover unexpected resources in themselves. His characters often conquer their own problems and malevolent powers that would suppress or destroy them.

"I wish I could get away from horror for a while, and I do - or I think I do, and then suddenly I discover that I'm like the guy in the poem by Auden who runs and runs and finally ends up in a cheap, one-night hotel. He goes down a hallway and opens a door, and there he meets himself sitting under a naked light bulb, writing." (King in Faces of Fear by Douglas E. Winter, 1990)

Stephen King was born in Portland, Maine. His father, a merchant seaman, deserted the family in 1950. The young Stephen and his brother David were raised in Durham, Maine, by their mother who worked in odd jobs to support her children. At the age of six, he had his eardrum punctured several times - a painful experience which he never forgot. King attended a grammar school in Durham and Lisbon Falls High school, where he started to write short stories and played in an amateur rock band. In 1960 he submitted his first story for publication - it was rejected. He edited the school newspaper, The Drum, and also wrote for the local newspaper, Lisbon Weekly Enterprise. His first story, entitled 'In a Half-World of Terror', King published in a horror fanzine. In 1970 King graduated from the University of Maine. Next year he married Tabitha Spruce, who has also gained fame as a writer. "My wife is the person in my life who's most likely to say I'm working too hard, it's time to slow down, stay away from that damn PowerBook for a little while, Steve, give it a rest." (from On Writing, 2000) Most of his career King has lived in Bangor, Maine. Many of his books are set in the imaginary town of Castle Rock, Maine, which is totally destroyed by greed in Needful Things (1993).

From 1971 to 1974 King was an instructor at the Hampden Academy, earning $6,400 a year. His first novel, Carrie (1974), was a tale of a girl with telekinetic powers. King had thrown the first pages of the story in a garbage pail, but his wife rescued them and urged him to finish the work. Carrie had first only a moderate success and sold 13 000 copies in hardcover. However, Signet paid $400,000 for its paperback rights. Carrie's film version was launched in 1976 and after the breakthrough novel Salem's Lot (1976), King established quickly his reputation as a major horror writer. In the late summer of 1974 King moved with his family to Colorado for an extended holiday. He visited the Stanley Hotel in Estes Park, and set there his next novel, The Shining. Stanley Kubrick's film version of the book, from 1977, did not satisfy the author, and he King himself turned his novel into a television miniseries in 1997.

In the late 1970s King published his first paperbacks under the name of Richard Bachman. The Talisman (1984) and its sequel, The Black House (2001), were written with Peter Staub. King has also published non-fiction. In his collection of essays, Danse Macabre (1981), King described the writing process as a kind of "dance" in which the author searches out the private fears of each reader. In the textbook of macabre he goes through the horror genre, from film monsters to books, focusing mostly on the post-war era. "It's not a dance of death at all, not really. There is a third lever here, as well. It is, at bottom, a dance of dreams. It's a way of awakening the child inside, who never dies but only sleeps ever more deeply. If the horror story is rehearsal for death, then its strict moralities make it also a reaffirmation of life and good will and simple imagination - just one more pipeline to the infinite." (from Dance Macabre)

After writing The Pet Sematary King considered he don't need to publish his "thebmost wretched, awful thing" he made, Bag of Bones (1998). The story dealt with the grief process in an uncompromising way. In Bag of Bones King returned to the theme of loss of a family member, and added into it the classical haunted house idea and familiar elements from his previous works: a small town where people know more than they tell, the collective guilty, and a hero who can't avoid confrontation with the evil powers. Old crimes, sins and secrets, hidden deep, are gradually revealed in an analysis of the conscious and unconscious like on a Freud's sofa. Playing with fire, King plunges into the mind of Mike Noonan, an author who suffers from the writer's block. Noonan's wife has died unexpectedly and he retreats to Sara Laughs, their happy home during summers. There he meets a young mother, Mattie, and her daughter, whom he helps in an custody struggle. - Mattie is one of the liveliest characters in King's works. Her sudden death, a logical twist of the plot, comes like electric shock. In the last pages of the novel Noonan/King returns to it and states correctly that 'to think I might have written such a hellishly convenient death in a book, ever, sickens me.' Bag of Bones continues the series where King explorers the writing process and the work of an author. The Shining, Misery, The Dark Half and now Bag of Bones are among his most revealing and personal works. - King is not among those writers who claim that they don't have time to read. Bag of Bones offers a delightful analysis of Herman Melville's story Bartleby, and comments about books and authors. Among them is Thomas Hardy, who stopped writing novels at the peak of his career and changed into poetry. Hardy supposedly said, that the most brilliantly drawn character in a novel is but a bag of bones.

A number of King's stories have been adapted into screen, among others Carrie (1976), The Shining (1980), Misery (1990), The Shawshank Redemption (1995), and The Green Mile (1999). His novels are richly textured with multitudinous references to films, television, rock music, literature, popular culture, and in his own books. Several of early King's novels explored the agonies of childhood, parental neglect and abuse (Carrie; Firestarter, 1980). In the 1980s his perspective shifted into the various pains of adulthood, the loneliness of older people (It, 1986; Insomnia, 1994). He has also provided fully-realized women characters in such novels as Gerald's Game (1992), Dolores Clairborne (1993), and Rose Madder (1995).

'"Michela reads all your books," the fat woman said. "Where in the world do you get all those crazy ideas?"
"I don't know," Kinnell said, smiling more widely than ever. "They just come to me. Isn't that amazing?"'
(from 'The Road Virus Heads North', 1999)

King's Dark Tower series, which started in 1982 with The Gunslinger, has combined Tolkien's sense of wonder with a horror and Sergio-Leone influenced Western. Partly the novel is based on Robert Browning's narrative poem, 'Childe Roland to the Dark Tower Came'. The world of Roland has many intertextual relationships with King's other books and maps the boundaries of his imagination or universe. Occasionally characters cross over from one genre to another, from fantasy to realism. Roland and his friends, other gunslingers, are helped by the Old Fella, Father Callahan from Salem's Lot.

King confesses in On Writing that he had problems with alcohol as early as in 1975, when he wrote The Shining, and he also developed in the 1980s a drung addiction. In June 1999 King was struck by a van and seriously injured. Soon after the accident, in July, King began publishing a serial novel, entitled The Plant, at his website, stephenking.com. In the story a supernatural vine starts to grow in a paperback publishing house. It brings success and riches and all it wants in return is a little drop of blood, a little flesh. King also announced that he will not continue with the story if payments for downloading the work fall off. "What made The Plant such a hilarious Internet natural (at least to my admittedly twisted mind) was that publishers and media people seem to see exactly this sort of monster whenever they contemplate the Net in general and e-lit in particular: a troublesome strangler fig that just might have a bit o' the old profit in it. If, that is, it's handled with gloves." (King in Time, January 8, 2001)

While convalescing from the accident, King returned to his early career as a writer in On Writing (2000), but most of all, the book gives down-to-earth advises for aspiring writers. "Write what you like, then imbue it with life and make it unique by blending in your own personal knowledge of life, friendship, relationships, sex and work. Especially work. People love to read about work. God knows why, but they do." In February 2002 King revealed to the Los Angeles Times that he has decided to stop publishing at year's end after finishing the last three novels in his "Dark Tower" series, and some other works. In 2003 King received the National Book Award. Its previous recipients include John Updike, Arthur Miller, Philip Roth and Toni Morrison. From Lisey's Story (2006) onwards, King's stories seems to have taken a new turn, in which the horror is not only a genre manifestation but the feelings of angst and fear are a definition of the whole human existence.

From the beginning of his career, King has examined the demons that are hidden behind the work of an author. In Misery a monstrous muse forces the writer into a slavery in front of typewriter. The writer is addicted to his work, but at the same time he is haunted by the demands of his fans. Although King is respected as a major force in popular fiction, his books blend the line between high art and pulp culture. In The Shining the writer, Jack Torrance, a former alcoholic, attacks his own family, and in The Dark Half (1898) he must fight against the demon of his own imagination. This self-conscious way to approach the art of fiction is also seen in King's controlled use of images that are meant to scare the reader. In Hearts in Atlantis (1999) typical horror elements are reduced as a metaphor of lost innocence. In the story King pointedly refers to William Golding's modern classic, Lord of the Flies.